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![skreddy lunar module schematic skreddy lunar module schematic](https://1.bp.blogspot.com/-ENJLXi5_Kj8/Wo551yrBbBI/AAAAAAAAuuw/fR_oA7IneloEuQZKCzJ6EkAQ7CZOTXrGwCK4BGAYYCw/s1600/ap15-KSC-71PC-224.jpg)
My favourite setting is just everything slightly above noon paired with a Mistress and some delay. Still, pairing up the P19 with a booster or EQ will take care of what you might be missing. I think that would have suited a Wall-ish pedal better and made it easier to achieve that crisp attack and slightly hollow sounding tone. Personally I prefer a bit more top and just a bit less mid range.
![skreddy lunar module schematic skreddy lunar module schematic](https://kylesroberts.files.wordpress.com/2012/01/lunar_module.jpg)
Its dark and creamy mid range boosted character eliminates the sometimes harsh overtones and the sustain sings forever even on low volume. It’s nearly impossible to dial in a bad tone with this one. Or, roll off the gain for some sweet Santana and Eric Johnson-ish fuzz. Combined with humbuckers the pedal becomes a nasty beast that nails those evil riffs from Black Sabbath, QotSA and Black Label Society. Still, for those Wall tones I think the flat position suits the pedal best.īut the P19 is not just another David Gilmour Big Muff. It’s subtle but you get a bit smoother tone and that feeling of tubes and speakers being pushed really hard. Switching on the mids boost with the mini toggle adds a very mild boost that comes especially handy on brighter amps and bedroom setups. It’s hard to compare it with a specific model but of all the Big Muffs I’ve tried I would perhaps place it somewhere between an Electronic Orange Pig Hoof and a Cornish P2.
![skreddy lunar module schematic skreddy lunar module schematic](http://www.spaceaholic.com/csimages/36152_36231.jpg)
The pedal also has less low end, which maintains a clarity and focus that many other ram’s heads are lacking. Very similar to what you get when placing an SM57 slightly off axis on a loud tube amp. This means that the P19, compared to other ram’s heads, has a considerably darker tone with less top, more mids and compression. That tone alone sounds very different to the signal coming from a close mic’d cabinet with post compression, limiting and who knows what. It doesn’t really matter that Comfortably Numb was recorded with a Strat, ram’s head Muff and Hiwatt. It is not a P1 nor a ram’s head clone, as one might think but rather an attempt at capturing David’s Wall lead tone as you hear it coming out of your hi-fi. The circuit goes all the way back to the Mayo and Pink Flesh. In addition to the familiar tone, gain and volume controls, there is a mini toggle switch switching between flat uncolored tone and a mild mids hump. The P19 feature true bypass switching and runs on 9V battery or Boss-style adapter all housed in an MXR style chassis. This philosophy is very much the essence of the P19. A refreshing way of doing business if you ask me.īack in the early days of pedal making guitarists and engineers created effects and pedals based on a vision and an idea of what they considered to be the ultimate tone. Once a new tone is discovered it’s time to move on. Part of the reason is that some of the pedals featured hard to get parts but it’s also because tone is constantly evolving. It’s always been Skreddy’s philosophy to never produce a pedal longer than a few years. So much in fact that when it was taken out of production the prices on Ebay skyrocketed. I wasn’t overly happy with it and found the pedal just a bit too wild for my taste. I did a review of the Pink Flesh a few years back. I’ve had my eyes on one for some time and I finally got the chance to try it out. No wonder really as Marc Alhfs knows a thing or two about Big Muffs. The P19 from Skreddy Pedals is definitely one of the most talked about Big Muff clones out there.
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